Organising Principles
Four Layers of Movement
What a movement means, how it is organised, how it feels and how it appears are not the same thing.
This framework developed from four provisional terms used in practice: Emotion, Feeling, Function and Aesthetic.
- INTENTION
- ORGANISATION
- EMBODIED EXPERIENCE
- PERCEPTION
Those terms identified relevant aspects of movement but blurred their relationships. They are reorganised here as four distinct layers:

Principle
Expression is not added to movement. It emerges through the relationship between intention, bodily organisation and experience.
Movement Reading
Intention
What is the movement attempting to do?
- Invite
- Reject
- Attack
- Receive
- Protect
- Wait
- Commit
- Yield
Intention does not guarantee an appearance. It establishes a direction for action.
Organisation
How does the body produce the movement?
- Ground
- Pressure
- Weight transfer
- Supporting leg
- Vertical spine
- Rotation
- Breath
- Compression
Organisation describes the physical mechanism rather than the desired expression.
Embodied Experience
What does the moving body experience?
- Weight
- Stretch
- Compression
- Suspension
- Delay
- Elasticity
- Expansion
- Release
Embodied experience belongs to the person moving. It cannot be assumed from appearance alone.
Perception
What becomes available to an observer?
- Grounded
- Light
- Powerful
- Calm
- Sharp
- Continuous
- Fluid
- Explosive
Perception is an effect of the preceding layers, not an instruction pasted onto the movement.
SUPPORTING LEG — A Reading
Intention
Prepare the body to travel.
Organisation
Weight is accepted through the supporting leg.
Embodied Experience
Pressure increases and the moving leg becomes lighter.
Perception
The movement appears grounded and effortless.
Research Question
Can two movements look similar while being organised by entirely different experiences?